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Main Menu Home About Us Contact Us MHS eNewsletter Composers Conductors Instrumentalists Vocalists Featured Artists & Groups Reviews Donors Search Site for... Links Newsflash Fun Stuff Hot Topic! Bibliography Events Myrtle on the Web Guestbook Finding the truth is not enough. What we also have to find is justice.                                ~Rigoberta Menchu Articles Sunday, 25 March 2007 Allen, William Duncan. “An Overview of Black Concert Music and Musicians in North California from the 1940s to the 1980s.” Black Music Research Journal. Spring, 1989. Vol. 9, No. 1: 81-92.   Badger, R. Reid. “James Reese Europe and the Prehistory of Jazz.” American Music. Special Jazz Issue. Spring, 1989. Vol. 7, No. 1: 48-67.  Brown, Alan. Study: Assessing the Intrinsic Impacts of a Live Performance "Taking Attendance and Start Measuring the True Impact of Your Programs." National Aers Marketing Project Conference, 2007.   Clark, Edgar Rogie. “Negro Folk Music in America.” The Journal of American Folklore. Jul.-Sep., 1951. Vol. 64, No. 253: 281-287.   Cumbo, Clarissa and Marion Cumbo. “The Symphony of the New World.” The Black Perspective in Music. Autumn, 1975. Vol. 3, No. 3: 312-330.   Floyd, Jr., Samuel A. “Black Music in the Driscoll Collection.” The Black Perspective in Music. Autumn, 1974. Vol. 2, No. 2: 158-171.                         “Francis Johnson (1792-1844).” The Black Perspective in Music. Bicentennial Number, July 1976. Vol. 4, No. 2: 208-212.   Holly, Ellistine Perkins. “Black Concert Music in Chicago, 1890 to the 1930s.” Black Music Research Journal. Spring 1990. Vol. 10, No. 1: 141-149.   Mack, Dana. “Multicultural Disharmonies.” City Journal Spring 1992, Vol. 2 No. 2.   Martin, Denis-Constant. “Filiation of Innovation? Some Hypothese to Overcome the Dilemma of Afro-American Music’s Origins.” Black Music Research Journal. Spring, 1991. Vol. 11, No. 1: 19-38.   McGinty, Doris Evans. “That You Came so Far to See Us”: Coleridge-Taylor in America.” Black Music Research Journal. Autumn, 2001. Vol. 21, No. 2: 197-234.   National Bureau of Economic Research. Goldin, Claudia and Ceceilia Rouse. Orchestrating Impartiality: The Impact of “Blind” Auditions on Female Musicians. Massachusetts: NBER Working Paper Series, 1997.             Ostendorf, Berndt. “Celebration or Pathology? Commodity or Art? The Dilemma of African-American Expressive Culture.” Black Music Research Culture. European Perspectives on Black Music. Autumn, 2000. Vol. 20, No. 2: 217-236.   Ruhe, Pierre. “Growing Musicians, One Note at a Time. ASO program: Aiding diversity, one note at a time.” The Atlanta Journal-Constitution 19 October 2003: M1.    Sands, Rosita M. “A Survey of Unpublished Materials Focusing on the Pedagogy of Afro-American Music in General Music Education.” Black Music Research. Autumn, 1988. Vol. 8, No. 2: 237-248.   Self, Geoffrey. “Coleridge-Taylor and the Orchestra.” Black Music Research Journal. Samuel Coleridge-Taylor. Autumn, 2001. Vol. 21, No. 2: 261-282.   Southern, Eileen. “Frank Johnson of Philadelphia and His Promenade Concerts.” The Black Perspective in Music. Spring, 1977. Vol. 5, No. 1: 3-29.   Sullivan, Lester. “Composers of Color of Nineteenth-Century New Orleans: The History behind the Music.” Black Music Research Journal. 1988. Vol. 8, No. 1: 51-82.   Tagg, Philip. “Open Letter: ‘Black Music’, ‘Afro-American Music’ and ‘European Music.’ Popular Music. Vol. 8, No. 3, African Music (Oct., 1989): 285-298.   Taylor, Frederick Jerome. “Black Musicians in “The Philadelphia Tribune”, 1912-20.” The Black Perspective in Music. 1990. Vol. 18, No. 1/2: 127-140.   Walton, Lester A., et al. “Black-Music Concerts in Carnegie Hall, 1912-1915.” The Black Perspective in Music. Spring, 1978. Vol. 6, No. 1: 71-88.   Warfield, William. “The Keynote Address.” The Black Perspective in Music. Special Issue: Black American Music Symposium 1985. Winter, 1986.  Vol. 14, No. 1: 7-12.   Wilson, Olly. “The Black-American Composer and the Orchestra in the Twentieth Century.” The Black Perspective in Music. Special Issue: Black American Music Symposium 1985. Winter, 1986. Vol. 14, No. 1: 26-34.   < Prev [ Back ]       © 2012 myrtlehart.org Joomla! is Free Software released under the GNU/GPL License.

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