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Main Menu Home About Us Contact Us MHS eNewsletter Composers Conductors Instrumentalists Vocalists Featured Artists & Groups Reviews Donors Search Site for... Links Newsflash Fun Stuff Hot Topic! Predicting the Future of Orchestras Classical Music & Today's Youths Ghana @ 50: Journals of Rodger French Solos for Treble Instruments--Sheet Music Education and the Diversity Dilemma, Pt. 2 Education & the Diversity Dilemma, Pt. 1 Walker Sonata No. 1 for Solo Piano Hope Briggs & SFO Black Orchestras Pt. 10 Black Orchestras Pt. 9 A Message from Sinfo-Nia Black Orchestras Pt. 8 Black Orchestras Pt. 7 Black Orchestras Pt. 6 Black Orchestras Pt. 5 Black Orchestras Pt. 4 New Research on Arts Audience Attitudes and Behavior Support Fisk University Celebrating Dr. Martin Luther King, Jr. Black Orchestras Pt. 3 Wendell Weaver--Music Ed (1) Black in Canada want Black-focused school Wendell Weaver--Music Ed (2) December eNewsletter correction Wendell Weaver--Music Ed (3) On Black Men & Boys Wendell Weaver--Music Ed (4) The Power of Words Wendell Weaver--Music Ed (5) Hope Briggs returns Celebrating Dr. King Part 2 Institutionalized Racism Musings on Mentors and Mentees Black Orchestras Pt. 2 Beethoven was BLACK! Black Orchestras Pt. 1 Call for Diversity in Orchestras Relevancy of CMOC Children at Concerts Talking to Audiences Concert Hall Etiquette Defining Black Music US Black Classical Instrument Discrimination Love for Sale? Bibliography Events Myrtle on the Web Guestbook Finding the truth is not enough. What we also have to find is justice.                                ~Rigoberta Menchu Love for Sale? Monday, 26 February 2007 Sex Sells--can anyone disagree with that statement?--but how much is too much? Bond. Not James. Is the pressure to sell out concerts and CDs worth the price of your flesh? As people of color, how much sex can we sell before  we're labeled with those problematic and unflattering sociological terms "oversexed" and "promiscuous?" In this often conservative world of classical music, what sells? Is it youth? Beauty? Sex? Does controversy make for better sales? Now, call me hypocritical, but I always expect to see Lil' Kim half-naked on her album covers. However, I've been sucked into the media portrayal of classical music and musicians as chaste and pure, so I never really anticipate indulging in visual pleasures of the flesh when it comes to, say, Bach. Enter 1996: Lara St. John's naked solo Bach (below) cover hits store shelves. I was in high school when this album was released. I remember thinking, "Is that... Is that her... bellybutton?! A Curtis graduate at age 17, and it's already come to this? She looks like a pre-pubescent child..." Strolling around Tower Records, I saw men clutching her bare midrift in hand (at least they made a trip to the Classical Section), eyes glazed. I don't know if they actually bought the album. Women... well, if they liked her playing before the release, they probably bought the album too. Maybe. Then Ms. St. John released 'Bach: The Concerto Album (left), or what I affectionately call 'Crack Concertos' since the cover looks like she needs a fix. Honestly, it looks like she's trying too hard to be sexy, but just comes across looking victimized. What gives? Is that really necessary? And most important: Did her strung out look help her sales? Maybe I'm grasping at straws here. Lara is a fantastic performer. So why the pseudo-sexy images like those in the pop industry? I just don't know if projecting oneself as a pop star will sell classical records. But maybe that's the point. Perhaps classical musicians should portray themselves more like pop stars, or say, like the sexy vixens of bond (top right) who wear skirts so short, even Britney Spears would say, "Damn, that's a short skirt!" bond is doing commercials and selling out concerts performing what they call "classical-pop." I guess it works for a pop image. But what classical musician of color does that? We've definitely played up personality (A-hem, Ms. Battle) and we've played up ethnicity a la DBR's locks. But when it comes to sexy images, I think classical musicians of color are just a bit more reserved. Take violist Nokuthula Ngwenyama's Bach Partitas album cover (bottom right) for example. It's definitely sexy... but classy. I really can't think of one person of color who sells sexed up images. But should we? And even when we do sort of sexify it , does it help our promotion and sales? Is it a hindrance? Where do WE fit in the "image" of classical music? It's a judgment call. Share your comments.    < Prev   Next > [ Back ]       © 2012 myrtlehart.org Joomla! is Free Software released under the GNU/GPL License.

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